Showing posts with label chief keef. Show all posts
Showing posts with label chief keef. Show all posts

Saturday, June 15, 2013

Father's Day Warning to Male Rappers:Change Your Posture!

"Hip Hop has become a playground for punks, pervs, and pedophiles."


At least that's how a "Washington, DC" rapper/activist , Yasin 360wiseguy feels about the current state of rap music. The artists has issued a strong warning to the male rappers, "Change Your Posture!"

According to Yasin, Hip Hop has done something that 400 years of slavery could not. It destroyed Black manhood.
"There are no real men in commercial Hip Hop today, says Yasin. "At least back in slavery our manhood was taken from us, now we give it away."

Yasin states that the males in Hip Hop have been castrated which is why it is not uncommon for many of them to wear feminine articles of clothing such as skirts and skinny jeans.
He is also concerned that many rappers in their 30's and 40's are targeting adolescents with their music that promotes sex, drugs and violence.

"Most of the songs are like a pornographic versions of Sesame Street, " he says.
"These dudes should be charged with the statutory rape of rap."

As a solution, Yasin has started the "Change Your Posture" Campaign demanding that rappers stop bowing down to the entertainment industry and stand up like real Men.
On his website http://changeyourposture.org he has a list of rappers who need to change their posture and the reasons why they need to do so.
(1).Lil Wayne (2).Rick ross (3).Drake (4).Trinandad James (5).Chief Keef (6).2-Chains (7.)kayne West (8).Gucci Mane (9).Tyler the Creator (10).Juicy J
The artist has also just released a scathing video that he hopes will shame rappers into being better role models called "Callin Ur Bluff."

For more information contact (202)239-2929
twitter @Iam360WiseGuy
email- info@360WiseGuyMusicGroup.com
website http://www.ChangeYourPosture.org

Tuesday, June 4, 2013

Is Hip Hop Hooked on Crack?

 
From Black Music to Crack Music:
What Happened to Hip Hop?

TRUTH Minista Paul Scott


“I blame my mama for turning my brother into a crack baby."
Keep Ya Head Up- Tupac Shakur






This is Black Music Month and just like clockwork people will ask the age old question, what happened to Black music, especially Hip Hop? However, like previous Black Music Months, June 30th will find many scratching their heads, filled with more questions than answers. However, the real answer is quite simple.

Black music got hooked on crack.

Following the death of college B-ball superstar Len Bias, in 1986, a great fear struck America . There was a new drug on the street that was gonna turn the hood into a kingdom of the walking dead. As Public Enemy put it , an eternal “Night of the Living Baseheads. “Worst than that they would spawn a horde of crack babies who would be destined to become career chain snatchers and riders on the prison revolving door. And since mainstream America was just getting turned on to Hip Hop, the destinies became intertwined.

Well , a recent study has proven what many already knew. Don’t believe the hype.

In an article published in Pediatrics, the official journal of the American Academy of Pediatrics. The idea of the “crack baby” has been exposed as myth. Although, the authors concede , that like with any drug, crack is not the best thing to put in your body, especially, while you're pregnant., social factors such as poverty really play a greater role in determining the future of children.

But what about the music that was supposed to represent the mentality of the “crack babies”. If the crack baby syndrome was a myth, the music must be fictitious, as well.

Let’s be clear. There is no denying the devastating effect that the drug trade has had on the ‘hood, from the heroin explosion of the 70’s to the crack epidemic of the Hip Hop era. And the music of the periods served as soundtracks to the misery, from Curtis Mayfield’s “Pusherman” to Biggie Smalls’ “Ten Crack Commandments”

According to Seeka tha Teacha, captain of the Hip Hop Liberation Army ,” Crack cocaine was introduced to Hip Hop for the purpose of destroying families and the well being of urban communities. It made drug dealers look rich in the eyes of the youth who were exposed to poverty.”

However, in this case ,we are not talking about the glorification of slangin’ rocks.that has permeated rap music since the late 80’s. That issue has been the subject of too many articles , books and documentaries to mention. Nor are we talking about the real life drug issues that have destroyed the careers of artists from Billie Holiday to DMX. Thus, murdering the message and the music.

The point here is how the whole idea of "crack music" is based on the media perpetuation of the crack baby (prenatal cocaine exposure) myth and the pathological behaviors associated with it have effected Black culture. And more importantly, how the stereotypical images associated with crack have affected our youth.

Some believe that the media hype around selling and using crack was really a self fulfilling prophesy. And if you pump crack pipe dreams in the heads of children, they will gravitate towards that even if they ain’t bout that life.

According to a recent Time magazine article , Dr. Maureen Black , professor of pediatrics and epidemiology at the University of Maryland School of Medicine says that “once you label a child that way...there's no hope for the child. “
Durham NC substance abuse activist, Shareef Hameed , agrees saying that “crack baby became part of the American vernacular.. It was like labeling someone before they even got started.”

Hameed says that the signs of crack addiction are nervousness , paranoia and aggressiveness, which, ironically, are the same attributes reflected in today’s rap music. It was also rumored to cause ADHD (attention deficit disorder. ) Which explains why the music seems to be attractive to those with low IQ’s and short attention spans.

Crack rap can be distinguished from Hip Hop by its lack of subject matter and overly simplistic, pickaninny choruses And the music industry has sold the idea across the planet that this is the type of music to which kids are addicted.

Unfortunately, many Hip Hop fans have bought into this false reality, as well.

The idea of crack babies has its roots in the negative stereotypes of Black people stretching back hundreds of years with the “small brain theory” which claimed that Black people had small skulls which limited their capacity to absorb information. Not much different than the racist stereotypes connected with Hip Hop.

So, the crack baby myth is really a socio-political construct , a euphemism for the pathological behavior of some young Black males. The term is not really about a specific drug. In theory it's about a cocaine derivative but in practice it includes weed, malt liquor, molly or any mind altering drug that is promoted in Hip Hop.

What should be of major concern is how the crack baby hoax has served to demonize Black men. This is especially important with the upcoming George Zimmerman/Trayvon Martin murder trial as the media has already tried to portray Martin as a crack baby only hooked on weed, in preparation for what will become the “Trial of the Century.” Also, of note is the recent media fascination with Chief Keef and his recent exploits including accusing a security guard of racist mean muggin’ when he was allegedly busted in a hotel room smoking marijuana.

Like any addiction, the first step to overcoming crack music addiction is admitting that you have a problem. We must admit that it hasn’t been crack that has had the most far reaching effects on the Black community but “crack music” that has propagated a hoax.

Unfortunately, a whole generation has gotten high on the hype.


This Black Music Month Hip Hop needs a detox.

It’s gonna be a long hot summer, socially and politically for Black people and we need our minds sober and ready for action.

Like Pac said on Revolution:

“Can you imagine the damage we could do if we weren’t high?”

TRUTH Minista Paul Scott can be reached at info@nowarningshotsfired.com Follow on Twitter @truthminista
Check out Militant Minded Radio every Tuesday at 9PM EST http://blacktalkradionetwork.com/page/militantmindedradio

Saturday, February 23, 2013

Rapper Says White Racism to Blame for Black Violence


Although many people in this country are discussing violence, a Miami rapper is claiming that the real cause of the violence that permeates the Black community is not being discussed.
Originally from the mean streets of Washington DC, Yasin360Wiseguy aka "The Enforcer" is claiming that Black on Black violence is directly related to the history of slavery and racism and the violence in rap music is "The Hip Hop Hatin' that Hate Produced." Growing up in the nation's capital Yasin has seen, first hand. the damage that suppressed black anger at white supremacy can cause. Fortunately, he was able to channel his rage into his music. And he is using his music to make a difference.
The artist is on a mission to enforce principals of unity that will stop the glorification of black death that is prevalent in commercial Hip Hop. He believes that if Black youth understood the roots of Black on Black violence, their behavior would change.
"It does no good to take the guns out of the hands of the boys in the 'hood when the bullet of white supremacy is still lodged in their brains."
His latest video is called "What's Gangsta." G.A.N.G.S.T.A. stands for "Going Against Negativity Getting Stronger Together Always."

Saturday, October 27, 2012

Popular Rapper Roger Ratchet is Dead



(Atlanta) After two days in critical condition, popular rap star, Roger Ratchet is dead. The artist , born as Roger Sam Boman, who was in intensive care resulting from an Acme speaker being dropped on his head, last Wednesday was pronounced dead at 10 o’clock , Friday night. Strangely enough, the rapper seemed to be on the verge of a miraculous recovery when somebody snuck into his room and pulled the plug on his life support machine. When his death was announced loud screams of Hip Hop fans could be heard outside the hospital chanting, “Hooray, the Ratchet kicked the bucket!” The 20 year old rapper is survived by 15 children and eight baby mamas.

Wednesday, October 24, 2012

Atlanta Rapper In Critical Condition

(Atlanta) A popular Atlanta rapper is clinging to life tonight after a vicious attack. Twenty year old , Roger Sam Boman, known in the Hip Hop world as “Roger Ratchet” was  found critically wounded earlier today outside of Ratchet Recording Studio on Peach Street not far from his home. Details are still sketchy,  but according to police reports , someone on the roof of the building dropped a 50 pound Acme speaker on the rapper as he exited the studio around five o’clock this afternoon.

The once popular artist, who is credited with creating the genre, “Ratchet Rap “ has recently come under fire from Hip Hop fans who accuse him of destroying the culture . At this point there are no suspects.

Wednesday, October 17, 2012

Have We Outgrown Hip Hop?

Caution. Kids at Play:
Have We Outgrown Hip Hop?
                      TRUTH Minista Paul Scott


“Back in the day when I was young/I’m not kid anymore “
Back in the Day-Ahmad


When Hip Hop legend, “Knowledge B. Born,” headed to the stage to finally receive his Hip Hop Lifetime Achievement Award, he clutched in his right hand a speech written in graffiti that he had wanted to deliver for years. He planned to put the entire audience of rap superstars on blast for destroying the culture he helped create. But when he looked into the faces of a room full of rich kids half his age.who were either half asleep or busy textin’ ,he just crumbled up his notes , said “ya’ll keep doin’ your thing.” and left the stage. Leaving the crowd whispering amongst themselves, “who was that old dude....”

Recently, when Rakim went on stage to receive his BET " I Am Hip Hop Award ," I hoped that he was gonna diss the entire front row of rappers with a fraction of his talent. I thought maybe the “microphone fiend: was gonna kick a freestyle battle rhyme and dare any one of the no talent bums to come up and snatch the mic from his mighty hand. Needless to say, it didn’t happen. Another missed opportunity in the annals of Hip Hop history. At that point, I had to face the sad reality that many of my generation have avoided.


Maybe, we have outgrown Hip Hop.

Perhaps the saddest lament over the state of Hip Hop was Common’s, “I Used to Love H.E.R.” that talked about the sad relationship between Hip Hop purists and the gangsta rap that dominated the charts at the time. However, that was almost 18 years ago and many of us who divorced ourselves from Hip Hop have kissed and made up several times since then.

But like the classic break up line says., “The problem isn't you. The problem is me.” Maybe we are just too old to be listening to the kiddie porn that is passing for Hip Hop, nowadays. At some point the thrill of sneakin’ into your Pop’s secret drawer and peepin’ his Playboy mags wears off and you want a real relationship with a real woman.

Now, I admit there are days when I want to lock myself away from the world and play video games while smackin’ on a big box of Fruit Loops, but unfortunately, I don’t have that luxury. Neither do most folks over 25. Life is moving fast and deals that will affect my life are being made every second with or without my input. So I either have to roll with them or get rolled over.

But Hip Hop, is like Neverland, where you never have to grow old and if you are not careful you can get stuck there and be a 60 year old man poppin’ Viagra while watching " 106 and Park." And this “don’ t -wanna -grow up Toys R Us Kid” mentality is reflected in the rap of today. Instead of those black and white Parental Advisory stickers, in 2012, most Hip Hop Cd's should come with big, yellow “Caution. Kids at Play “ signs.

Today the rap industry is run by spoiled little brats with a million bucks but 50 cent brains. Somebody has, indeed, spared the rod and spoiled the child.

But the question that has always plagued Hip Hop is, who do you blame ?

When confronted, many Hip Hop apologists fall back on that classic line, “Don’t Blame rap . Blame the parents. “ But does this also apply to the Fathers of Hip Hop? Maybe they have acted more like deadbeat dads than the head of the Hip Hop household? This is the only society on the planet where the children are leading the elders.

Last year, columnist Bomani Jones addressed this issue in an article , “A Look at Chuck D’s Open Letter,” where he wrote , “ it’s disingenuous for much of the older crowd now to try and ride to hip hop’s rescue after we definitely had a part in getting to where we are.” But the sad part is that many old school cats are defending rap music with the same excuses that were used 20 years ago. They are defending the lyrics of Chief Keef the same way they did Snoop Dogg in ‘92. But Snoop never grew up to convert his misogynistic lyrics into words that would uplift the community. He only produced a legion of Snoop puppies . So Chief Keef will only produce a tribe of ratchet rappers if left unchecked.

This is not entirely the fault of the rappers ,either. Society has played a major role in the ghetto man-child mentality.

My generation was bombarded with the idea that “Black men in the America would not live to see 24.” So when we reached the ripe old age of 25, we had no game plan. Even much of the now revered “message music” of the 80’s was just repeating the nihilistic predictions for Black men. Few songs actually challenged the socio-economic factors that made such a dire prophecy believable. Even the ones that did offer such an analysis are now considered “old school.”

Rapper Mista Spot on his song , “Classic, “ questioned why you never hear the term “Old School Rock “ or “Old School Country” but their songs are forever immortalized as ageless music which can be enjoyed by their grandchildren. The same should be said about some Hip hop.

But maybe Rock and Country fans respect their music more than we respect Hip Hop. What record company would dare lump Mick Jagger and Justin Bieber in the same category and throw them on a track together? Rolling Stones fans would start bombin’ radio stations.

It must be remembered that it was the wrath of rock fans that led to the demise of Disco.

In 1979, 90,000 outraged Rockers almost destroyed Comiskey Park in Chicago at the infamous , Disco Demolition Night, where some deejays decided to blow up in stack of Disco records to protest the genre. Even today you can still catch people rockin’ the “Disco Sucks” T-Shirts. Since Ratchet Rap” is the Disco music of Hip Hop, what if thousands of real Hip Hop fans started rockin’ “Ratchet Rap Sucks” T-Shirts? and destroying CDs?

At the least , it would make a rapper think twice before releasing another immature , wack Cd.

Will the Hip Hop mental midgets hit an intellectual growth spurt before the culture is totally destroyed.

I don't know. But one thing is certain.

Like the classic Quincy Jones song says, in the end ,“Everything Must Change.”

Even Hip Hop.

TRUTH Minista Paul Scott’s weekly column is “This Ain’t Hip Hop,” a column for intelligent Hip Hop headz. For more information on the No Warning Shots Fired lecture series , contact info@nowarningshotsfired.com or visit
NoWarningShotsFired.com. Follow on Twitter @truthminista

Monday, September 10, 2012

Con or Conspiracy: Are They Really Out to Get Us?

Con or Conspiracy:
Are They Really Out to Get Us?

TRUTH Minista Paul Scott

“Them Alphabet Boys got us under surveillance”
Soul Survivor-Young Jeezy


The National Council of Black Leaders recently held a public forum called “The Conspiracy to Destroy the ‘Hood. “ When the first speaker, Dr. Afrika Shabazz revealed tons of information exposing a genocidal plot against African Americans, the panelists just rolled their eyes and snickered in disbelief. However, when Leroy Johnson complained that somebody had sent his voter registration card to the wrong address, they became outraged and demanded an immediate federal investigation into voter suppression...

Although, most people won’t admit it. We all believe in conspiracies. This world is too jacked up to be an accident.

Americans have long grappled with alleged conspiracies from who shot Abe Lincoln to whether or not Elvis Presley is still alive and working at the Wal-Mart in Memphis. The most interesting conspiracy theories, however, have centered around the ‘hood , whether it be a secret sterilization formula put in fried chicken or clothing companies secretly owned by the KKK as Dr. Patricia A. Turner examined in her work, Heard it Through the Grapevine.

First there’s the vote conspiracy.

A few years back activists sounded the alarm that the meter was about to run out on the African American right to vote unless somebody did something real quick. (I’m still not sure what that something was supposed to be?) This year the panic term is “voter suppression,” as there is ,supposedly, some master plan to stop Black people people from voting.

Newsflash! With our jacked up priorities ,no secret plot is needed to keep folks from the polls. If Jay Z decides to hold a free concert in Madison Square Garden on November 6, you can kiss 80,000 votes goodbye, automatically.

Then there’s the infamous, “movie ticket conspiracy, “ whereby movie producers warn Black folks to keep an eye on their ticket stubs so the box office rating points will go to “Soul Plane Part 2” instead of the new Michael Moore documentary.

While these types of conspiracies are taken very seriously by some people, the more serious ones that deal with Black survival are written off as paranoid ramblings.

During the early 90’s researchers such as Steve Cokley Zears Miles and Keidi Obi Awadu spent countless hours on Black college campuses and in bookstores sharing information on topics from “The New World Order “ to “Why AIDS is so prevalent in the Black community.”

Also, “The Conspiracy to Destroy Black Boys” was tackled by such master teachers as Dr. Jawanza Kunjufu and Dr. Asa Hilliard who painstakingly tried to convince Black parents that the reason why Lil Tyrone couldn't read wasn’t because he was dumb but because of a western mis- educational system

However, by the mid 90’s, the heyday of these lectures had passed as African American owned bookstores struggled to keep the lights on and Black college kids had more important things on their minds, like who was gonna perform at the homecoming show.


However, interest picked back up after 9/11/01 courtesy of videos like Loose Change that questioned the government's official report of the attack on the Twin Towers. Even rappers like Jadakiss began to ask why.

More recently, there has been an interest in Hip Hop conspiracies, whether it be the death of a famous rapper , government persecution or a secret organization within Hip Hop with a diabolical plan to brainwash the masses.

Although the murders of rappers Tupac Shakur and the Notorious BIG happened over 15 years ago, Hip Hop fans are still discussing conspiracy theories as though they happened yesterday. As Dead Prez once said on “Bigger Than Hip Hop,” “Who shot Biggie Smalls/ if we don’t get them then they’ll get us all.”

It is also strange how so many rappers , especially the ones who make politically conscious music like Nas and Lauren Hill wind up owing Uncle Sam millions of dollars.

This mystery is not limited to Hip Hop, as it has been alleged that the Feds have, historically, targeted Black entertainers.

James Brown wrote in his memoir, I Feel Good, “All of us who were Black and in the public eye were under intense surveillance, harassed by the IRS and subjected to all forms of underhanded activities.”

Although Red Fox was not known for overt political activism, according to Pat Thomas in his book , Listen Whitey, he funneled some of his Sanford and Son money to the Black Panther Party during the 70’s. Also, In his book “Black and Blue’, Michael Seth Starr wrote that the comedian alleged that the IRS targeted him “because of his skin color.”

It has long been rumored that the Feds keep a close watch on Hip Hop artists for criminal and /or political activities but recently, it was revealed that they also keep an eye on the fans. According to recent news reports the white rap group, Insane Clown Posse is threatening to sue the FBI for labeling their fans (The Juggalos) as a gang.

This is nothing new to the boyz in the ‘hood, as states such as North Carolina have a GangNet database where they keep information about children suspected of gang affiliation.

Perhaps the most popular Hip Hop conspiracy now is the idea that there is a secret nefarious club in Hip Hop in which admittance can only be gained through a secret initiation.

Whether this is true or not is debatable, But what is not debatable is that it seems that participating in the genocide of the Black community by either sellin’ crack or shootin’ somebody seems to be a prerequisite for getting a record deal.

Of all the Hip Hop conspiracies, the least believable,is the “somebody hacked my Twitter account” conspiracy that artists like Chief Keef (or their PR people) use when they get called out for tweetin’ somethin’ wreckless.

Maybe conspiracies are true. Maybe they ain’t.

However, the best way to counter any plots against us is to not focus on what “they” are doing to us but what “we” are doing to ourselves.

For instance, if there is a conspiracy to use 16 year old rappers to promote Black on Black violence, the counter attack would be to use the anniversary of the death of Tupac Shakur (September 13) to demand an end to murder music.

Most importantly, conspiracies can only survive when the masses of the people are kept in a state of ignorance.

So the ultimate solution is what The Wu Tang Clan suggested on C.R.E.A.M.

”to teach the truth to the young Black youth.”

TRUTH Minista Paul Scott’s weekly column is This Ain’t Hip Hop, a column for intelligent Hip Hop headz. He can be reached at info@nowarningshotsfired.com His website is NoWarningShotsFired.com Follow on Twitter @truthminista