Congress to Abolish Black History Month

Congress to Abolish Black History Month

From Staff Reports
January 19, 2009



WASHINGTON DC (NWSF News) -In a surprising bipartisan move, last week, Congress passed legislation to abolish Black History Month. If the bill is not vetoed by the newly elected president, Black History Month could soon be history.

The reason for the legislation is that after the election of this country's first black president, many Americans no longer believe the celebration of black history is necessary. Some even have gone so far as calling for a ban on the teaching of black history because they say it is divisive.

Although many white Americans, especially the Right Wing, have questioned the validity of a month set aside to honor one racial group, there are many blacks, as well, who would like to bid Black History Month a adieu. For some African Americans black history has been seen as a stumbling block; just another barrier that has kept them from enjoying their piece of the American pie. Many black people strive their whole lives to detach the word "African" from "African American."

"Ain't no need to be talking all that black stuff. That's just another way to divide us," says Carletta "CJ" Walker, owner of New City Beauty Salon in Atlanta. "We need to stop living in the past."

The problem of having to be African and American, simultaneously, has plagued African Americans since the Emancipation Proclamation. It is a paradox that WEB Dubois described as "a double consciousness" that black folks had to have in order to survive in a white dominated society.

During the early 20th century, the issue was bitterly debated by those who wanted inclusion into American society like Dubois and his Talented 10th and those who wanted separation like Marcus Garvey and the Universal Negro Improvement Association.Later, during the 60's and early 70's there was a constant ideological war between the Civil Rights activists and the Black Power activists that personified itself in the forms of Dr. Martin Luther King and Malcolm X. Dr. King believed in a dream where all Americans would be treated as equals but Malcolm X envisioned a nightmare where African Americans would forever be treated as second class citizens.

For many young African Americans, black history has been replaced by a Hip Hop pseudo culture that has long abandoned any connection to black culture. Instead it has embraced a false ideology that music and fashion could end 400 years of oppression. Some of the rappers are even claiming that they are no longer black but they are "Hip Hop."

"I don't care what color a dude is. As long as he keeps it gangsta, he's cool with me," says New York City aspiring rapper Tyrone "T-Boogie" Johnson. "How is learning about black history gonna get me signed to a contract ?"

The disconnection of the youth can partially be blamed on an educational system that has helped to promote institutionalized white supremacy under the guise of preparing African American children to be able to make it in the real world. Any attempt to add Afrocentric studies to a curriculum by black teachers is often met with dire consequences.

CG Woods, an 8th grade social studies teacher in Jackson, Mississippi, recently was suspended without pay for instructing his students to read "How Europe Underdeveloped Africa" by Walter Rodney.

Some say that the lack of appreciation for black history is due to the fact that what is usually celebrated every February is not black history at all but the relatively brief history of black people in this country; a history of emancipated slaves. Few have paid attention to the rich history that African people had prior to 1619. This is mostly because the white corporations that have become the major sponsors of black history events have confined any discussion of black history to the boundaries of America.

Perhaps the people most affected by the end of Black History Month will be African American businesses, especially black book stores. Shaka Nzinga, owner of Black History, Inc, the world's largest distribuor of Afrocentric material has already announced that he will close his doors at the end of February unless business picks up.

Although, some African Americans have decided to allow black history to fade into obscurity, there are a few activists across the country who are not going out without a fight. They have started the Black History Bailout Campaign. The group is asking the black community to come up with their own socio-economic stimulus package as a last ditch effort to save black history.

Although the activists hope that the movement gains momentum over the next few weeks, as of yesterday the only people protesting in front of the Capitol were an elderly man with a Marcus Garvey sweatshirt and his young grandson holding up signs that said,"

"A people without knowledge of their history is like a tree without roots."

Paul Scott writes for No Warning Shots Fired.com. http://www.nowarningshotsfired.com He can be reached at info@nowarningshotsfired.com

Hip Hop vs America or America vs Hip Hop

Hip Hop vs America or America vs Hip Hop:

Tale of Two Trials

Min. Paul Scott

Hip Hop was on trial twice last night. One was Hip Hop vs America Pt. 1, a prerecorded attempt by Black Entertainment Television to appease its viewers after years of complaints which came to a broil after last Summer's ill advised "Hot Ghetto Mess" Reality Show. The other was "America vs Hip Hop," sponsored by the Subcommittee of Commerce Trade and Consumer Protection of the Committee on Energy and Commerce . The first one was catered towards a predominately young, black teeny bopper audience who had just finished watching videos on "106 and Park" and wanted to to see if Nelly had gotten any new gold teeth since his last CD. The other was for the rest of mainstream America who have grown sick and tired of a bunch of young black "thugs" ruining "their" country.

The BET special was pretty much what you would expect from the company, a weak attempt at self criticism with bumpin' videos and applause signs. Perhaps Part 2 will get "deep" but Part 1 did little to elevate the "rap" beyond the realm of where it has been since C. Delores Tucker dissed Pac back in the early 90's.

"You don't understand Hip Hop!"

"And you, young man, need to pull your pants up!"

You still have the same panelists from the older generation trying to to be a parent/buddy friend to 30 somethin' year old millionaire Hip Hop artists. Dr. Michael Eric Dyson did the Biggie rap thing that he has been showcasing since the mid 90's and rappers, Nelly and T.I. proved once again that loud "don't" make it right.

T.I. kinda lost me with the whole "I have to trick my fans into learning" logic. (or lack thereof)

Not to mention his brilliant theory that the problem with Hip Hop is "you got fake thugs rappin' about being real thugs who never were thugs instead of real rappers rappin' about being real...."

Oh, never mind.

And then Nelly came with the "it's not fair to judge me based on a four minute rap video with credit cards being slid through a black woman's booty" defense.

What else can we judge you by Nelly? Your PH.D dissertation on "The Juxtaposition of Capitalism and Marxist Leninism?"

Down the way in DC, "From Imus to Industry: The Business of Stereotypes and Degrading Images," hearing called together by Senator Bobby Rush featured Master P and David Banner along with activists and industry big wigs such as Edgar Broffman and Doug Morris.

Needless to say, the theme of the hearing was problematic in itself.

Although Hip Hop activists have raised this issue over the last five months, it cannot be overstated that this current national discussion on the state of Hip Hop is a diversionary tactic in the aftermath of the Michael Richards/Don Imus controversies to take the focus off of institutionalized racism and white male bigotry and replace it with a focus on dirty dancin' and baggy pants.

While the efforts of former Black Panther Bobby Rush may be commended, would his time not have been better served making sure that a thorough congressional hearing on Reparations for the descendants of enslaved Africans takes place. Or hearings on COINTELPRO, for which groups like the Jericho Project have been advocating that could result in the exoneration of his former Panther comrades and other political prisoners still locked in jail and in exile ?

Also, it must be also noted that if we look at the emphasis that America has put on Hip Hop compared with the coverage of stories like the Jena 6 and the black woman that was tortured in West VA, the comparison is troubling.

What is unfortunate is that many of us do not see this current Hip Hop controversy in socio-political terms. While the kiddie converation on BET may have had a better looking stage, the meeting in DC could set public policy for generations to come.

Did anybody think to ask where the Hip Hop discussion fit in the agenda of the Subcommittee of Commerce Trade and Consumer Protection on a highly compartmentalized Capitol Hill?

Did anyone notice that the committee is in charge of dealing with some Homeland Security related matters? So which part of Hip Hop are the feds really concerned about; the "misogynist" lyrics of a Nelly or the inflammatory political rap of a M1 of Dead Prez?

http://energycommerce.house.gov/

At the end of the day , were we any closer to improving Hip Hop than were were before the BET program and congressional hearing?

BET promised another earth shakin' sequel to Tuesday night's show (So what are they gonna do for a grand finale, have TI punch Rev. Al in the mouth?) and the people in DC came to the consensus that censorship ain't cool, def, or funky fresh.

Is there really a difference between gangsta rapper, "Killa T" grabbin' his crotch and yellin' "I'm just keepin' it real for the homies in tha hood" and Viacom head honcho Phillipe Dauman sitting before Congress and saying with a straight face, "We have a responsibility to speak authentically to our viewers ?"

What we need is a clear analysis of the Hip Hop problem based on facts and not prejudiced by political bamboozlin' and hero worshippin' of rappers.

With a clear analysis we could raise the level of consciousness of the Hip Hop connosiers so high that neither Hip Hop hearings nor censorship would even be necessary.

Min. Paul Scott is a writer and activist in Durham NC. For more info visit http://www.hiphopstrikesback.com

(919) 451-8283 info@nowarningshotsfired.com