Killin' for Candy and Concords:
The Price of Black Life
TRUTH Minista Paul Scott
"You ever once stop to think and wonder why it's so/We dont' know.
Cuz we're blinded by the fog of 'dro/ So we let it go"
Just Don't Learn- Brand Nubian
In the news today, an up and coming rapper was killed in a crowded Atlanta mall. According to authorities, Joe Blackmon aka "Killa Black" was standing in line for a pair of Air Jordan Concords when he, accidentally, knocked a Jolly Rancher out of the hand of the man in front of him. The man, described only as "an African American in a black hoodie with saggin' pants" pumped five rounds in him before fleeing the scene. Witnesses say that the crowd just stepped over the dying Blackmon like nothing happened ,some even refusing to let paramedics through for fear of losing their places in line...
Recently, people were shocked that Brick Squad affiliate, Slim Dunkin was murdered in an Atlanta studio, allegedly, stemming from a fight over a piece of candy. This tragic event was coupled by media images of mobs of people beating each other senseless over the new Air Jordan XI Concords.
Hip Hop has had its share of deaths; Scott La Rock, Jam Master Jay, Pac, Biggie to name a few. Unfortunately, the 'hood is full of tales of young brothas losing their lives over stepping on someone's sneakers or even staring too long at some cat at a stop light. While some may argue that violence permeates society and it is not a "black issue," until I see Justin Bieber chasing Justin Timberlake with an AK-47, I beg to differ. Most of the blood spilling on the streets of America pours out of black bodies and Hip Hop is, predominately, made up of black males.
It must be noted that his thing is bigger than Hip Hop. The issue here is the value (or lack thereof) that this society places on black life.
Although it is a historical fact that black folks were once the kings and queens of civilization, around the 15th century the value of black life begin to drop like the 50% off after Christmas sale at Wall Mart.
Man has been fighting man since the beginning of time and despite the historical romanticism, African civilization was not exempt as tribal wars have existed on the continent for thousands of years. However, it was not until the coming of the Portuguese that black life was given a discount price tag. During that period, European slave traders began to use the existing beefs between tribes to trade Africans for commodities. As Walter Rodney wrote in "How Europe Underdeveloped Africa" "it was so easy to set one against another that Europeans called it 'a slave trader's paradise."
The worst part of the trade was the exchange of Africans for weapons.
According to historian, Joseph Harris in his book , " Africans and Their History," "kings were sometimes given firearms to raid neighboring areas in exchange for prisoners of war."
In America, the technique of making the slaves fight against each other was perfected. Herbert Aptheker wrote in "American Negro Slave Revolts, " the dividing of the victims against themselves, the use of spies and the encouragement of traitors" were powerful tools to keep the slaves from rebelling.
This divide and conquer strategy was also used in the 60's during the Civil Rights /Black Power Movement as the FBI, through is COINTELPRO program, played black activists against each other. This caused the destruction of groups such as the Black Panther Party and led, ultimately, to the formation of "street gangs" in California.
It must be noted that, according to Mike Davis in his book "City of Quartz," the purpose of the original gangs was not to promote black on black violence but to protect the hood from white racist gangs such as the "Spookhunters" but after the destruction of the Black Panther Party, gangs such as the Bloods and Crips were formed and they saw "the enemy" as other black men. This was escalated by the introduction of high powered assault weapons and crack into the 'hood which Gary Webb in "Dark Alliance" alleged was a government conspiracy.
Simultaneously, you had the growing popularity of Hip Hop and it was not uncommon during the 80's for black lives to be lost over gold chains, Troop jackets, Jordans or other articles of clothing worn by their favorite Hip Hop artists.
So this leads us to where we are today with people being beat down for $180 sneakers that cost $12 to make in some sweat shop and young black men being killed over candy.
Psychologist Dr. Bobby Wright suggested that black people have been psychologically programed to kill other black people. In his essay "The Psychopathic Racial Personality," he wrote " historically, the European system has encouraged the killing of Blacks. Because Blacks have been led to believe that they are part of the psychopath's system, they simply follow the practice."
We have been conditioned by these historical events to consider black on black conflict not only a cultural norm but a reason for celebration that is ingrained in the minds of the children, often in very subtle ways. Even something as simple as Freestyle Friday on "106 and Park " conditions the young black mind to accept black on black aggression as normal behavior. Unfortunately, when this "dissin'" is carried into the streets, there are no celebrity judges to hold up score cards, only EMS workers with body bags and toe tags.
Back in 1989, Kool Moe Dee, as part of the Stop the Violence Movement, said "I never ever ran from the Ku Klux Klan, so I shouldn't have to run from a black man."
Unfortunately, until we deal with the origin of black on black violence we will always be headed for self destruction.
TRUTH Minista Paul Scott can be reached at (919) 451-8283
Sunday, December 25, 2011
Sunday, December 18, 2011
How the Grinch Stole Hip Hop
How the Grinch Stole Hip Hop:
TRUTH Minista Paul Scott
"Don't you give me I'll that jive/'bout things that happened before I was alive"
Christmas Rappin'-Kurtis Blow
I ain't gonna front. One of my favorite X-Mass shows when I was a kid was, "How the Grinch Stole Christmas." I always thought it was so gangsta how an ugly green dude with a stank attitude could roll down to Whoville one night and rob the whole 'hood without waking anybody up. I guess the same way that somebody could steal Hip Hop without anybody noticing...
One of the hardest things to do is to break people out of their beliefs in myths. From childhood, we are taught to believe in a tooth fairy that leaves quarters under pillows and Easter bunnies that leave baskets on doorsteps. While most people grow out of such beliefs, the Hip Hop myth that if you hustle hard, you too can live the life of the rich and shameless that you see on tv seems to last from the cradle to the grave.
'Tis the season to believe in flying reindeer and talking snowmen. However, Hip Hop-wise, we must ask ourselves is the myth about a fat, old white dude sliding down "chimneys" in the middle of the night in the grimiest projects any less believable than the story of an overweight corrections officer becoming a drug dealin' superstar rapper?
Also, while no self-respecting "G" would be caught dead walking through the 'hood in a bright red Santa suit, that same dude would have no problem walking through the mall with his pants saggin' as a symbol of manhood.
Webster's dictionary defines myth as, "an unproved or false collective belief used to justify social institutions." While many Hip Hop fans co-sign this when talking about elves, they will give you the screw face when you are talking about Hip Hop.
Most religious or cultural myths are based on some historical truth or tradition and since Hip Hop has become a "religion" for some people, the same standard applies. While the roots of rap music can be traced back to the oral traditions of Africa, the same can be said about religion, as the three "major" western religions also have their roots in ancient African civilizations. One of the fathers of western theology, St Augustine once said, "What is known as the Christian religion existed even among the ancients and was not lacking from the beginning of the human race until 'Christ came in flesh."
While it is true that Christmas is rooted on the principle of "Peace on Earth, Goodwill towards men, " it is imperative that we study how religions have been used for what the late historian, Dr. John Henrik Clarke called "male chauvinist murder causes." The same goes for Hip Hop, as Afrika Bambaataa's vision of "Peace, Unity, Love and having fun" was jacked and has been used to promote the worst aspects of society.
According to Dean Dudley, in "History of the First Council of Nice" the use of Christianity as an excuse for military aggression can be traced back to around 300 AD when the Roman emperor, Constantine, supposedly, had a vision where a cross appeared with the inscription "IN HOC SIGNO VINCES" (Under this sign thou shalt conquer.) Following this were hundreds of years of the enslavement of conquered people under the guise of religion. But Hip Hop has also been used to enslave the minds of the masses by corporations who believe that rappers are worth more dead than alive. It must be said that we are not dissin' a belief system but how beliefs can be misused to manipulate the masses.
How many people are aware that when they are poppin' bottles in the club on Christmas night thinking that they are celebrating the "birth of Christ," according to Rev. Alexander Hislop in his book "Two Babylons," they are, actually, celebrating the 'Winter Solstice" or "Saturnalia" when the Romans got their drink on ? (among other things.)
While it may be true that "Jingle Bells' being pumped over mall intercoms may subliminally seduce you into spending all your money on some bling for your shawtie, we can't forget that not too long ago songs like "Neva Scared" by Bone Crusher and "Tear da Club Up" by Three Six Mafia were accused of inciting violence.
Mental programing runs deep.
Although, the "Three Wise Men" who created Hip Hop may be Afrika Bambaataa, Kool Herc and Grandmaster Flash, it was some other evil, wise men who have destroyed it. These Ebenezer Scrooges are so ruthless that they would take Tiny Tim's crutches and give him a beat-down and pump holes in the ghosts of Christmas past, present and future.
In his book, "Afrikan People and European Holidays: A Mental Genocide ," Dr. Ishakamusa Barashango wrote about how people will "embrace and put energy into a thing without ever analyzing the impact, for better or for worst, it may have upon them and their posterity for generations to come. " The book goes on to expose the true origins of Santa Claus, Christmas Trees, etc,
Unfortunately, you stand a better chance telling a five year old child that Santa Claus is a phony than convincing a 30 year old Hip Hop head that the music that he has labeled "street certified" is really a product of Ivy League think tanks and Wall Street marketing campaigns.
We must begin to understand that Knowledge is power and the best way to keep a people powerless is to deny them access to it and keep them locked into accepting myths as undisputed Truth. So this year, the best gift we can give our children is Hip Hop's forgotten 5th element; Knowledge.
That's the real gift that keeps on giving.
TRUTH Minista Paul Scott can be reached at (919) 451-8283 or info@nowarningshotsfired.com
TRUTH Minista Paul Scott
"Don't you give me I'll that jive/'bout things that happened before I was alive"
Christmas Rappin'-Kurtis Blow
I ain't gonna front. One of my favorite X-Mass shows when I was a kid was, "How the Grinch Stole Christmas." I always thought it was so gangsta how an ugly green dude with a stank attitude could roll down to Whoville one night and rob the whole 'hood without waking anybody up. I guess the same way that somebody could steal Hip Hop without anybody noticing...
One of the hardest things to do is to break people out of their beliefs in myths. From childhood, we are taught to believe in a tooth fairy that leaves quarters under pillows and Easter bunnies that leave baskets on doorsteps. While most people grow out of such beliefs, the Hip Hop myth that if you hustle hard, you too can live the life of the rich and shameless that you see on tv seems to last from the cradle to the grave.
'Tis the season to believe in flying reindeer and talking snowmen. However, Hip Hop-wise, we must ask ourselves is the myth about a fat, old white dude sliding down "chimneys" in the middle of the night in the grimiest projects any less believable than the story of an overweight corrections officer becoming a drug dealin' superstar rapper?
Also, while no self-respecting "G" would be caught dead walking through the 'hood in a bright red Santa suit, that same dude would have no problem walking through the mall with his pants saggin' as a symbol of manhood.
Webster's dictionary defines myth as, "an unproved or false collective belief used to justify social institutions." While many Hip Hop fans co-sign this when talking about elves, they will give you the screw face when you are talking about Hip Hop.
Most religious or cultural myths are based on some historical truth or tradition and since Hip Hop has become a "religion" for some people, the same standard applies. While the roots of rap music can be traced back to the oral traditions of Africa, the same can be said about religion, as the three "major" western religions also have their roots in ancient African civilizations. One of the fathers of western theology, St Augustine once said, "What is known as the Christian religion existed even among the ancients and was not lacking from the beginning of the human race until 'Christ came in flesh."
While it is true that Christmas is rooted on the principle of "Peace on Earth, Goodwill towards men, " it is imperative that we study how religions have been used for what the late historian, Dr. John Henrik Clarke called "male chauvinist murder causes." The same goes for Hip Hop, as Afrika Bambaataa's vision of "Peace, Unity, Love and having fun" was jacked and has been used to promote the worst aspects of society.
According to Dean Dudley, in "History of the First Council of Nice" the use of Christianity as an excuse for military aggression can be traced back to around 300 AD when the Roman emperor, Constantine, supposedly, had a vision where a cross appeared with the inscription "IN HOC SIGNO VINCES" (Under this sign thou shalt conquer.) Following this were hundreds of years of the enslavement of conquered people under the guise of religion. But Hip Hop has also been used to enslave the minds of the masses by corporations who believe that rappers are worth more dead than alive. It must be said that we are not dissin' a belief system but how beliefs can be misused to manipulate the masses.
How many people are aware that when they are poppin' bottles in the club on Christmas night thinking that they are celebrating the "birth of Christ," according to Rev. Alexander Hislop in his book "Two Babylons," they are, actually, celebrating the 'Winter Solstice" or "Saturnalia" when the Romans got their drink on ? (among other things.)
While it may be true that "Jingle Bells' being pumped over mall intercoms may subliminally seduce you into spending all your money on some bling for your shawtie, we can't forget that not too long ago songs like "Neva Scared" by Bone Crusher and "Tear da Club Up" by Three Six Mafia were accused of inciting violence.
Mental programing runs deep.
Although, the "Three Wise Men" who created Hip Hop may be Afrika Bambaataa, Kool Herc and Grandmaster Flash, it was some other evil, wise men who have destroyed it. These Ebenezer Scrooges are so ruthless that they would take Tiny Tim's crutches and give him a beat-down and pump holes in the ghosts of Christmas past, present and future.
In his book, "Afrikan People and European Holidays: A Mental Genocide ," Dr. Ishakamusa Barashango wrote about how people will "embrace and put energy into a thing without ever analyzing the impact, for better or for worst, it may have upon them and their posterity for generations to come. " The book goes on to expose the true origins of Santa Claus, Christmas Trees, etc,
Unfortunately, you stand a better chance telling a five year old child that Santa Claus is a phony than convincing a 30 year old Hip Hop head that the music that he has labeled "street certified" is really a product of Ivy League think tanks and Wall Street marketing campaigns.
We must begin to understand that Knowledge is power and the best way to keep a people powerless is to deny them access to it and keep them locked into accepting myths as undisputed Truth. So this year, the best gift we can give our children is Hip Hop's forgotten 5th element; Knowledge.
That's the real gift that keeps on giving.
TRUTH Minista Paul Scott can be reached at (919) 451-8283 or info@nowarningshotsfired.com
Sunday, December 11, 2011
Free Kanye: Are Rappers Political Prisoners?
Free Kanye:
Are Rappers Political Prisoners?
TRUTH Minista Paul Scott
"I’m locked inside a cell in me, I know that there’s a jail in you"
Words I Never Said - Lupe Fiasco
People from across the country traveled for hours to attend the December rally in Chicago to demand the freedom of their beloved comrade in struggle. For hours, speaker after speaker pounded on the podium demanding that their brother be released so that he could, once again, be free to speak truth to power as the crowd chanted wildly. They weren't chanting "Free Mumia" or "Free Mutulu." Nah, they were chanting "Free Kanye!"
Despite the title of Kanye West's 2004 cd "College Dropout" and the follow up "Late Registration," both were hailed, by many , as the return of politically conscious lyrics to the mainstream. With songs like "All Falls Down" and "Diamonds from Sierra Leone," if Kanye wasn't the second coming of Chuck D, in a rap world dominated by the Ying Yang Twins, he was close enough. Expectations were lifted even higher when he made the infamous post Hurricane Katrina observation that "George Bush don't like black people." But then something strange happened on the Road to Revolution, Kanye's lyrics were suddenly depoliticized and dumb downed. Nowadays, Kanye is more known for corny catch phrases and snatchin' mics from lil country girls at award shows than political wit.
Of course, Kanye isn't the only one. After all, Common's latest song isn't exactly droppin' science, either. But Kanye is killing the game,right now, as he is leading the pack in Grammy nominations, making him the biggest waste of talent at the moment.
While some may argue that West and the others just had creative changes of direction, others say that they are victims of the same political repression that has plagued radical thinkers for centuries. History books are full of examples of people who were imprisoned, exiled or assassinated for their ideas.
Historically, oppressive, ideological societies have hated free thinkers. Even Galileo was locked down in 17th century Italy for teaching Heliocentrism (the sun is the center of the Universe). So, free thinkers have always been a threat to the status quo because of their potential to free the minds others.
In America, the persecution was no different.
According to Dr. Charsee McIntyre, in "Criminalizing the Race," the colonization movement to deport free blacks to Africa was started because free blacks "served as models of Freedom to enslaved blacks and inspired resurrections. "
It must be noted that the threat of radical idealists within the music industry has also been a thorn in the side of the establishment.
In his book "The Covert War Against Rock" Alex Constantine alleges that the deaths of singers such as Peter Tosh, John Lennon and Bob Marley were really well orchestrated, politically motivated assassinations to silence them.
Perhaps the greatest threat to the social order has been Hip Hop. John Potash, in his book, "The FBI War on Tupac Shakur and Black Leaders" gives a rundown of artists who experienced government repression not because of club jams but because of their political activities. The book raises the issue that Tupac Shakur's gangsta turn after being sentenced to life on Death Row Records after his release from prison may not have been a coincidence. Perhaps it was just a plot to render one of the most potentially, powerful voices to ever pick up a mic, politically impotent and socially irrelevant.
We must understand that even while in the slammer, freedom fighters such as Dr. Martin Luther King (Letter From the Birmingham Jail) and George Jackson (Soledad Brothers) still managed to get their words to the masses. Also, Mumia Abu-Jamal has still been able to smuggle information to the people by reporting "Live From Death Row." The difference is, unlike many Hip Hop artists, they would not allow their minds to become incarcerated.
Although, some may consider comparing Hip Hop artists like Kanye West to political prisoners like Mumia and Mutulu Shakur ,blasphemous, when we consider that political incarceration is about locking down the mind more so than the body the connection is clear. While many acts of political repression have been carried out with guns and chains, in Hip Hop, it has been done by a signature on a contract. There is little difference between someone sentenced to a 10 year prison bid and someone being confined to a 10 year recording deal that restricts their freedom of speech in terms of their relevance to oppressed communities.
This idea is not without precedence. Lupe Fiasco has been outspoken about the industry's attempt to "dumb em down." Also, it was once rumored that former G Unit soldier, Young Buck had to remove a song about police brutality from his cd because of pressure from a mysterious "lyric committee."
Unfortunately, it is not just the artists that are in mental prisons but fans as well. As every time a rapper enters into a mental prison, he carries a legion of followers with him.
So, the question is how do we free Hip Hop artists and consequently, free the minds of their fans.
According to Peter Doggett, in his work, "There's a Riot Going On," back in the 60's, activists formed the Dylan Liberation Front (later the Rock Liberation Front) to "liberate" artists, like Bob Dylan, who they felt had turned their backs on the struggle and "sold out to the man."
Maybe, in 2011, we need a Kanye Hip Hop Liberation Front to do the same.
After all, if Jadakiss and his crew could stage a successful "Free the Lox" campaign back in the day to get released from Bad Boy , why can't we politicize it and start a "Free Kanye Campaign" to free him from Roc-a-fella.
Something has to be done to free incarcerated minds and it has to be done now.
As Bob Marley once sang "Emancipate yourselves from mental slavery, none but ourselves can free our minds.
TRUTH Minista Paul Scott can be reached at (919) 451-8283 info@nowarningshotsfired.com
Are Rappers Political Prisoners?
TRUTH Minista Paul Scott
"I’m locked inside a cell in me, I know that there’s a jail in you"
Words I Never Said - Lupe Fiasco
People from across the country traveled for hours to attend the December rally in Chicago to demand the freedom of their beloved comrade in struggle. For hours, speaker after speaker pounded on the podium demanding that their brother be released so that he could, once again, be free to speak truth to power as the crowd chanted wildly. They weren't chanting "Free Mumia" or "Free Mutulu." Nah, they were chanting "Free Kanye!"
Despite the title of Kanye West's 2004 cd "College Dropout" and the follow up "Late Registration," both were hailed, by many , as the return of politically conscious lyrics to the mainstream. With songs like "All Falls Down" and "Diamonds from Sierra Leone," if Kanye wasn't the second coming of Chuck D, in a rap world dominated by the Ying Yang Twins, he was close enough. Expectations were lifted even higher when he made the infamous post Hurricane Katrina observation that "George Bush don't like black people." But then something strange happened on the Road to Revolution, Kanye's lyrics were suddenly depoliticized and dumb downed. Nowadays, Kanye is more known for corny catch phrases and snatchin' mics from lil country girls at award shows than political wit.
Of course, Kanye isn't the only one. After all, Common's latest song isn't exactly droppin' science, either. But Kanye is killing the game,right now, as he is leading the pack in Grammy nominations, making him the biggest waste of talent at the moment.
While some may argue that West and the others just had creative changes of direction, others say that they are victims of the same political repression that has plagued radical thinkers for centuries. History books are full of examples of people who were imprisoned, exiled or assassinated for their ideas.
Historically, oppressive, ideological societies have hated free thinkers. Even Galileo was locked down in 17th century Italy for teaching Heliocentrism (the sun is the center of the Universe). So, free thinkers have always been a threat to the status quo because of their potential to free the minds others.
In America, the persecution was no different.
According to Dr. Charsee McIntyre, in "Criminalizing the Race," the colonization movement to deport free blacks to Africa was started because free blacks "served as models of Freedom to enslaved blacks and inspired resurrections. "
It must be noted that the threat of radical idealists within the music industry has also been a thorn in the side of the establishment.
In his book "The Covert War Against Rock" Alex Constantine alleges that the deaths of singers such as Peter Tosh, John Lennon and Bob Marley were really well orchestrated, politically motivated assassinations to silence them.
Perhaps the greatest threat to the social order has been Hip Hop. John Potash, in his book, "The FBI War on Tupac Shakur and Black Leaders" gives a rundown of artists who experienced government repression not because of club jams but because of their political activities. The book raises the issue that Tupac Shakur's gangsta turn after being sentenced to life on Death Row Records after his release from prison may not have been a coincidence. Perhaps it was just a plot to render one of the most potentially, powerful voices to ever pick up a mic, politically impotent and socially irrelevant.
We must understand that even while in the slammer, freedom fighters such as Dr. Martin Luther King (Letter From the Birmingham Jail) and George Jackson (Soledad Brothers) still managed to get their words to the masses. Also, Mumia Abu-Jamal has still been able to smuggle information to the people by reporting "Live From Death Row." The difference is, unlike many Hip Hop artists, they would not allow their minds to become incarcerated.
Although, some may consider comparing Hip Hop artists like Kanye West to political prisoners like Mumia and Mutulu Shakur ,blasphemous, when we consider that political incarceration is about locking down the mind more so than the body the connection is clear. While many acts of political repression have been carried out with guns and chains, in Hip Hop, it has been done by a signature on a contract. There is little difference between someone sentenced to a 10 year prison bid and someone being confined to a 10 year recording deal that restricts their freedom of speech in terms of their relevance to oppressed communities.
This idea is not without precedence. Lupe Fiasco has been outspoken about the industry's attempt to "dumb em down." Also, it was once rumored that former G Unit soldier, Young Buck had to remove a song about police brutality from his cd because of pressure from a mysterious "lyric committee."
Unfortunately, it is not just the artists that are in mental prisons but fans as well. As every time a rapper enters into a mental prison, he carries a legion of followers with him.
So, the question is how do we free Hip Hop artists and consequently, free the minds of their fans.
According to Peter Doggett, in his work, "There's a Riot Going On," back in the 60's, activists formed the Dylan Liberation Front (later the Rock Liberation Front) to "liberate" artists, like Bob Dylan, who they felt had turned their backs on the struggle and "sold out to the man."
Maybe, in 2011, we need a Kanye Hip Hop Liberation Front to do the same.
After all, if Jadakiss and his crew could stage a successful "Free the Lox" campaign back in the day to get released from Bad Boy , why can't we politicize it and start a "Free Kanye Campaign" to free him from Roc-a-fella.
Something has to be done to free incarcerated minds and it has to be done now.
As Bob Marley once sang "Emancipate yourselves from mental slavery, none but ourselves can free our minds.
TRUTH Minista Paul Scott can be reached at (919) 451-8283 info@nowarningshotsfired.com
Saturday, November 19, 2011
A Ludacris Crisis: Does Hip Hop Hate Women?
A Ludacris Crisis:
Does Hip Hop Hate Women?
TRUTH Minista Paul Scott
"Every woman in America, especially black. Bear with me. Can't you see we're under attack"
White Man's World- Makaveli (Pac)
Tyanna Johnson wasn't sure how she got there. Three months ago, she moved from Mississippi to Atlanta for a better way of life. But when the crappy economy forced her company to shut down, she found herself standing at the intersection everyday holding a cardboard sign that read "Please Help Me!" Everyday she just stood there trying to hold on to her last piece of dignity. Then ,one day, a gold toothed rapper rolled up in a new Maybach and asked her to "do sumthin' strange for a little piece of change..."
Last week, Hip Hop superstar, Christopher "Ludacris" Bridges released the 1.21 Gigawatts mixtape. While much of the Hip Hop buzz has centered around his disses of rival rappers, little attention has been paid to the disrespect of his primary target; black women.
A few years ago, the song "Do Sumthin," where Luda and Rick Ross trade verses about the freaky stuff that they would make a starvin' sista do for a Klondike Bar would have just been written off as another strip club anthem. But with people facing dire economic situations, the song takes on added socio-economic significance. With single mothers in the real world strugglin' to feed their kids, millionaire rappers promoting ho'in as a viable option is done in extremely bad taste.
Do rappers hate women that much?
While the disrespect of all women is a problem for all cultures, the disproportionate economic suffering of black women plus the fact that they own most of the booties that are seen shakin' in Hip Hop videos makes this issue more race specific. This is compounded by the jacked up relationship between black men and black women that has been promoted by the entertainment industry for the last couple of decades.
Black men dissin' black women is nothing new, as its roots can be traced back to antiquity. Chancellor Williams in his classic work, "The Destruction of Black Civilization" wrote that the problem goes back thousands of years in Africa when foreign invaders raped black Egyptian women, causing the sons to hate their mothers and identify with the nationality of their fathers, the conquerors.
So the seed with which we are dealing today was planted eons ago.
Of course, this is not to say that white men have not exploited black women, as this has been well documented for centuries. South African, Saartjie Baartman was paraded across Europe as a freak show attraction because of the size of her badunkadunk almost two centuries before Niki Minaj appeared on the MTV Music Awards.
Nor can the disrespect of black women be totally blamed on Hip Hop, as Mick Jagger and the Rolling Stones were singing "Brown Sugar," a song glorifying the rape of a "slave girl" and "Some Girls" a decade before The Bad Boys dissed "Veronica" and Slick Rick "treated em like a prostitute."
But that does not give black men of today a pass. Especially grown men with young daughters.
Dr. Frances Cress Welsing gave a psychological reason for rap's virtual rape of sistas in "The Isis Papers" when she wrote that "black males engage in this activity out of their imposed frustration and sense of political powerlessness and inadequacy."
However, some have pointed to a more insidious reason; a conspiracy to turn black men against black women and initiate them into a secret society known as the "Hip Hop He-Man Woman Haters Club."
If what Immortal Technique alleges in his song , "Natural Beauty" is true, that "men who don't even like women control the business" this is not only possible but probable as they take enjoyment from the gender war between black men and black women.
As noted historian JA Rogers wrote in his book "Sex and Race Vol III, " the deadliest form of the conflict and process of extermination within a civilization lies in the conflict between the two creative forces-Sex (woman) and Intellect (man).
Now some may argue that Luda is telling a true story and there are really women who act like that. But there are also women who act like Ida B. Wells, Assata Shakur and Kathleen Cleaver. Why are these stories not being told? Not to mention the story of the OG ride or die chick, Mary Turner, who, in 1918, along with her unborn child, was murdered and mutilated by a lynch mob in Valdosta, GA for reppin' her husband who had been murdered by the same mob. Some may consider the actual details of the horrific event, like how one of the members of the mob removed the fetus from Turner's belly and pounded it into the ground , too graphic. However, they are no more graphic then the acts rapped about on Luda's CD or in songs being played on the radio about black men riding around with "choppers" in their cars hunting other black men like prey.
Perhaps, if rappers were taught this history, they would be less likely to make misogynistic songs.
Personally, I think that a group of brothers should find Luda and kindly "escort" Mr. Bridges to the Folsom Bridge, the spot where Turner was lynched, and leave him there until he reconsiders his position on black women.
Either way, this madness has got to stop.
Like Nas said in "Black Girl Lost" "Say men are all the same? What we need to do is break this chain."
TRUTH Minista Paul Scott can be reached at (919) 451-8283 or info@nowarningshotsfired.com
Does Hip Hop Hate Women?
TRUTH Minista Paul Scott
"Every woman in America, especially black. Bear with me. Can't you see we're under attack"
White Man's World- Makaveli (Pac)
Tyanna Johnson wasn't sure how she got there. Three months ago, she moved from Mississippi to Atlanta for a better way of life. But when the crappy economy forced her company to shut down, she found herself standing at the intersection everyday holding a cardboard sign that read "Please Help Me!" Everyday she just stood there trying to hold on to her last piece of dignity. Then ,one day, a gold toothed rapper rolled up in a new Maybach and asked her to "do sumthin' strange for a little piece of change..."
Last week, Hip Hop superstar, Christopher "Ludacris" Bridges released the 1.21 Gigawatts mixtape. While much of the Hip Hop buzz has centered around his disses of rival rappers, little attention has been paid to the disrespect of his primary target; black women.
A few years ago, the song "Do Sumthin," where Luda and Rick Ross trade verses about the freaky stuff that they would make a starvin' sista do for a Klondike Bar would have just been written off as another strip club anthem. But with people facing dire economic situations, the song takes on added socio-economic significance. With single mothers in the real world strugglin' to feed their kids, millionaire rappers promoting ho'in as a viable option is done in extremely bad taste.
Do rappers hate women that much?
While the disrespect of all women is a problem for all cultures, the disproportionate economic suffering of black women plus the fact that they own most of the booties that are seen shakin' in Hip Hop videos makes this issue more race specific. This is compounded by the jacked up relationship between black men and black women that has been promoted by the entertainment industry for the last couple of decades.
Black men dissin' black women is nothing new, as its roots can be traced back to antiquity. Chancellor Williams in his classic work, "The Destruction of Black Civilization" wrote that the problem goes back thousands of years in Africa when foreign invaders raped black Egyptian women, causing the sons to hate their mothers and identify with the nationality of their fathers, the conquerors.
So the seed with which we are dealing today was planted eons ago.
Of course, this is not to say that white men have not exploited black women, as this has been well documented for centuries. South African, Saartjie Baartman was paraded across Europe as a freak show attraction because of the size of her badunkadunk almost two centuries before Niki Minaj appeared on the MTV Music Awards.
Nor can the disrespect of black women be totally blamed on Hip Hop, as Mick Jagger and the Rolling Stones were singing "Brown Sugar," a song glorifying the rape of a "slave girl" and "Some Girls" a decade before The Bad Boys dissed "Veronica" and Slick Rick "treated em like a prostitute."
But that does not give black men of today a pass. Especially grown men with young daughters.
Dr. Frances Cress Welsing gave a psychological reason for rap's virtual rape of sistas in "The Isis Papers" when she wrote that "black males engage in this activity out of their imposed frustration and sense of political powerlessness and inadequacy."
However, some have pointed to a more insidious reason; a conspiracy to turn black men against black women and initiate them into a secret society known as the "Hip Hop He-Man Woman Haters Club."
If what Immortal Technique alleges in his song , "Natural Beauty" is true, that "men who don't even like women control the business" this is not only possible but probable as they take enjoyment from the gender war between black men and black women.
As noted historian JA Rogers wrote in his book "Sex and Race Vol III, " the deadliest form of the conflict and process of extermination within a civilization lies in the conflict between the two creative forces-Sex (woman) and Intellect (man).
Now some may argue that Luda is telling a true story and there are really women who act like that. But there are also women who act like Ida B. Wells, Assata Shakur and Kathleen Cleaver. Why are these stories not being told? Not to mention the story of the OG ride or die chick, Mary Turner, who, in 1918, along with her unborn child, was murdered and mutilated by a lynch mob in Valdosta, GA for reppin' her husband who had been murdered by the same mob. Some may consider the actual details of the horrific event, like how one of the members of the mob removed the fetus from Turner's belly and pounded it into the ground , too graphic. However, they are no more graphic then the acts rapped about on Luda's CD or in songs being played on the radio about black men riding around with "choppers" in their cars hunting other black men like prey.
Perhaps, if rappers were taught this history, they would be less likely to make misogynistic songs.
Personally, I think that a group of brothers should find Luda and kindly "escort" Mr. Bridges to the Folsom Bridge, the spot where Turner was lynched, and leave him there until he reconsiders his position on black women.
Either way, this madness has got to stop.
Like Nas said in "Black Girl Lost" "Say men are all the same? What we need to do is break this chain."
TRUTH Minista Paul Scott can be reached at (919) 451-8283 or info@nowarningshotsfired.com
Sunday, November 13, 2011
Jay Z: Hip Hop's "Hustle Man"
Jay Z: Hip Hop's "Hustle Man"
TRUTH Minista Paul Scott
"Well, it might be sad. Or might sound funny but that's what people do for money."
Divine Sounds
There is one in every 'hood, a "hustle man." Like the dude from the old "Martin" show, "Hustle Man" is the type that would sell vitamin water to his grandma on her deathbed. The type of guy who hawks R.I.P. hoodies outside of funeral homes. The type of person who would use one of the most revolutionary events in modern history to sell T-shirts.
Last week, Shawn "Jay Z" Carter made headlines when he vandalized the Occupy Wall Street movement by creating "Occupy All Streets" T-shirts that are to be sold by his Rocawear Company. Although, it is still being debated whether Jay will go through with it, the fact that he had the cahoonas to attempt it in the first place says a lot about the character of the man.
If you ask the folks from "The Roc" and supporters like Russell Simmons, they will tell you that Jay is just trying to spread the message by launching an Occupy All Streets Movement. If you ask others, he is either trying to make a quick buck ,or worst, trying to dilute the movement by diverting attention away from the economic center of the planet.
What Jay Z is trying to pull off is a textbook example of the Hip Hop Hegelian Dialectic .(thesis, antitheses, syntheses) In this case, create the "problem", front like your solving the "problem" and then sell the "solution" for $22.
Ask any true Hip Hop head what is the major problem with the art form, today and he will say, without hesitation, "commercial exploitation" However, this is not limited to Hip Hop alone, as commercialism has invaded every aspect of society. What makes Hip Hop different is that it started as a movement to give a vehicle of expression to poor and oppressed communities. So, when you co-opt Hip Hop you are co-opting the voice of the people.
It must be noted that commercialism did not start with Shawn Carter, as the practice has plagued Hip Hop every since Adidas found out that they could make a dollar using RunDMC to promote their sneakers in the 80's. One can also remember that infamous Nike commercial from the 90's where KRS proudly proclaimed that the "revolution" was not about fighting for human rights but the revolution was merely, "basketball."
In a capitalist society, nothing is sacred, not even social movements.
In his book "There's a Riot Going On," Peter Doggett traces the genesis of corporations jackin' social movements back to a 1968 meeting of advertising agents and entertainment company bigwigs , "Selling the American Youth Market." According to Doggett, attendees paid $300 dollars a head to find out ways to make money by exploiting the Civil Rights and Anti-War Movements of the 60's.
It must be noted that commercial exploitation is not just limited to music. Remember, Dr. Martin Luther King's "I Have a Dream Speech" has been used to sell cell phones and Malcolm X's entire ideology has been reduced to the price of a postage stamp.
What is interesting about the Jigga scandal is the straw man argument where a conversation about the exploitation of a movement was quickly flipped into a debate over who he was gonna break off with some Benjamins.
Although entertainers have been known to give donations to social causes (Marlon Brando and other celebrities supported the Black Panther Party), for the most part, it's strickly business.
As Herbert Haines wrote in "Black Radicals and the Civil Rights Mainstream 1954-1970," "business support for pro-civil rights changes was brought about not by moral enlightenment but by recognition that racial trouble damaged business interests." Historically, social unrest has been bad for business. And a business owner is more than happy to throw a couple of dollars at "radicals" if it means not having to worry about about a brick being thrown through his store window.
(Just look at how many hood dudes got sneaker franchises after the '92 LA rebellions.)
So, when millionaire missionaries such as Shawn Carter and Russell Simmons support projects, it is more so to calm the restless natives then to aid the revolution. The reason why Simmons is given a hood pass is because he holds the golden microphone. Over the last decade Hip Hop activists such as Rev. Conrad Tillard (formerly Minister Conrad Muhammad), Rosa Clemente and Dr. Jared Ball have all pointed out how Simmons has used his star power to, allegedly, undermine legitimate grassroots movements.
The problem is that in the past we have placed symbol over substance.
In his book "An African Answer" Edgar Ridley, argues that "those who are victims of symbolism are, invariably, the ultimate losers in any dialogue or conflict." So, we have to realize that the symbolic act of showing up at a protest or wearing a bootleg version of a movement's slogan on a shirt does not mean that your favorite celebrity is getting ready to toss a Molotov cocktail.
However, the outrage generated by the Occupy All Streets T-shirts does signify a change in the collective consciousness of the people who are beginning to realize that everything is not for sell. Especially the economic future of our children. Finally, Hip Hop fans are beginning to demand accountability from those who exploit the art form.
But Jay Z is not the first person to exploit Hip Hop and he won't be the last.
Unfortunately, there will always be those who are willing to sell their souls to the highest bidder.
And the culture.
Paul Scottcan be reached at (919) 451-8283 Twitter @truthminista
TRUTH Minista Paul Scott
"Well, it might be sad. Or might sound funny but that's what people do for money."
Divine Sounds
There is one in every 'hood, a "hustle man." Like the dude from the old "Martin" show, "Hustle Man" is the type that would sell vitamin water to his grandma on her deathbed. The type of guy who hawks R.I.P. hoodies outside of funeral homes. The type of person who would use one of the most revolutionary events in modern history to sell T-shirts.
Last week, Shawn "Jay Z" Carter made headlines when he vandalized the Occupy Wall Street movement by creating "Occupy All Streets" T-shirts that are to be sold by his Rocawear Company. Although, it is still being debated whether Jay will go through with it, the fact that he had the cahoonas to attempt it in the first place says a lot about the character of the man.
If you ask the folks from "The Roc" and supporters like Russell Simmons, they will tell you that Jay is just trying to spread the message by launching an Occupy All Streets Movement. If you ask others, he is either trying to make a quick buck ,or worst, trying to dilute the movement by diverting attention away from the economic center of the planet.
What Jay Z is trying to pull off is a textbook example of the Hip Hop Hegelian Dialectic .(thesis, antitheses, syntheses) In this case, create the "problem", front like your solving the "problem" and then sell the "solution" for $22.
Ask any true Hip Hop head what is the major problem with the art form, today and he will say, without hesitation, "commercial exploitation" However, this is not limited to Hip Hop alone, as commercialism has invaded every aspect of society. What makes Hip Hop different is that it started as a movement to give a vehicle of expression to poor and oppressed communities. So, when you co-opt Hip Hop you are co-opting the voice of the people.
It must be noted that commercialism did not start with Shawn Carter, as the practice has plagued Hip Hop every since Adidas found out that they could make a dollar using RunDMC to promote their sneakers in the 80's. One can also remember that infamous Nike commercial from the 90's where KRS proudly proclaimed that the "revolution" was not about fighting for human rights but the revolution was merely, "basketball."
In a capitalist society, nothing is sacred, not even social movements.
In his book "There's a Riot Going On," Peter Doggett traces the genesis of corporations jackin' social movements back to a 1968 meeting of advertising agents and entertainment company bigwigs , "Selling the American Youth Market." According to Doggett, attendees paid $300 dollars a head to find out ways to make money by exploiting the Civil Rights and Anti-War Movements of the 60's.
It must be noted that commercial exploitation is not just limited to music. Remember, Dr. Martin Luther King's "I Have a Dream Speech" has been used to sell cell phones and Malcolm X's entire ideology has been reduced to the price of a postage stamp.
What is interesting about the Jigga scandal is the straw man argument where a conversation about the exploitation of a movement was quickly flipped into a debate over who he was gonna break off with some Benjamins.
Although entertainers have been known to give donations to social causes (Marlon Brando and other celebrities supported the Black Panther Party), for the most part, it's strickly business.
As Herbert Haines wrote in "Black Radicals and the Civil Rights Mainstream 1954-1970," "business support for pro-civil rights changes was brought about not by moral enlightenment but by recognition that racial trouble damaged business interests." Historically, social unrest has been bad for business. And a business owner is more than happy to throw a couple of dollars at "radicals" if it means not having to worry about about a brick being thrown through his store window.
(Just look at how many hood dudes got sneaker franchises after the '92 LA rebellions.)
So, when millionaire missionaries such as Shawn Carter and Russell Simmons support projects, it is more so to calm the restless natives then to aid the revolution. The reason why Simmons is given a hood pass is because he holds the golden microphone. Over the last decade Hip Hop activists such as Rev. Conrad Tillard (formerly Minister Conrad Muhammad), Rosa Clemente and Dr. Jared Ball have all pointed out how Simmons has used his star power to, allegedly, undermine legitimate grassroots movements.
The problem is that in the past we have placed symbol over substance.
In his book "An African Answer" Edgar Ridley, argues that "those who are victims of symbolism are, invariably, the ultimate losers in any dialogue or conflict." So, we have to realize that the symbolic act of showing up at a protest or wearing a bootleg version of a movement's slogan on a shirt does not mean that your favorite celebrity is getting ready to toss a Molotov cocktail.
However, the outrage generated by the Occupy All Streets T-shirts does signify a change in the collective consciousness of the people who are beginning to realize that everything is not for sell. Especially the economic future of our children. Finally, Hip Hop fans are beginning to demand accountability from those who exploit the art form.
But Jay Z is not the first person to exploit Hip Hop and he won't be the last.
Unfortunately, there will always be those who are willing to sell their souls to the highest bidder.
And the culture.
Paul Scottcan be reached at (919) 451-8283 Twitter @truthminista
Monday, October 24, 2011
Time to Occupy Hip Hop
Time to Occupy Hip Hop
TRUTH Minista Paul Scott
"Y'all been eatin' long enough now, stop bein' greedy
Just keep it real partna, give to the needy"
Stop Being Greedy-DMX
One morning last month, tired of the state of corporate-owned Hip Hop, a small group of people gathered in front of Intergalactic Records with picket signs saying "Hip Hop Sucks!" That night, a DJ rolled up with some old school Kool Herc-type speakers and started blastin' classic, underground Hip Hop, shaking the walls of the building. The movement has since spread like wildfire across the country as thousands of disgruntled former Hip Hop fans have begun gathering at radio stations across the country yelling "Give Hip Hop back to the 99%!"
Think this can't happen? Think again.
With the Occupy Wall Street Movement in full swing, it is only a matter of time before somebody asks the question that will spark the rap revolution.
"Hey, don't those 1 per centers also control the entertainment industry ?"
I think that I can safely say that 99% of the people reading this are fed up with the current state of Hip Hop and are ready to take it back from the 1% that are controlling the direction of the culture. There are only a hand full of major record labels (Sony, EMI , Warner and Universal) most of the radio stations are either owned by Clear Chanel or Radio-One and the major music video programs are all controlled by one company; Viacom. This explains why the same five Hip Hop artists are being played over and over again.
Without a doubt, Hip Hop is one of the most lucrative commodities on the planet and generates billions of dollars, annually, not only for entertainment companies but also for the other Big Willie corporations that the Occupy Wall Street warriors are fighting against. Also, it can be argued that, unlike many of the resident Wall Street tycoons, the entertainment industry moguls are most dependent on "the streets" for their economic survival, making them the most vulnerable to successful protests.
In his book, "Black Labor, White Wealth," Dr. Claud Anderson wrote that " black music is the basis for one of the world's wealthiest industries." He also argues that "the historic exploitation of black music and other art forms provides a strong philosophical reason to target these industries as visible examples of a new black economic agenda."
So, the question becomes not whether an "Occupy Hip Hop" movement will happen but why it hasn't happened yet.
To jack that famous line from Public Enemy, " the reasons are several, most of them federal."
It has been reported that Hip Hop was one of the major motivating factors in the "Arab Spring" uprisings, as it captured the frustrations of the youth overseas. While the average person in the US may not fully grasp the international power of Hip Hop, the government has long recognized the tremendous influence that entertainers have globally: a power that they are not willing to let fall into the " wrong hands."
According to Dr. Penny Von Eschen in her book, "Race Against Empire," during the 1950's the US State Department set up "Cultural Affairs, Psychological Warfare and Propaganda" programs to control Uncle Sam's international image. According to Von Eschen, the State Department recruited entertainers from jazz musicians to the Harlem Globetrotters to travel the globe proving to the world that living in America wasn't that bad.
This is why, even today, despite poverty and record high unemployment, the Feds still need the image of millionaire Hip Hop artists destroying $300,000 cars in videos and throwing up hundred dollar bills in the clubs beamed to every country on Earth. Despite what the Occupy Wall Street "whiners" are crying about on CNN, the Feds need to project the international image that all is still good in the 'hood.
Another reason why Hip Hop has not been occupied is that the people who you would think would be on the front line fightin' the power are actually part of the power structure. Despite the revolutionary rhetoric of even some of the most socially conscious Hip Hop writers and artists, they are still trapped in the corporate matrix and aren't really gonna spark the Gil Scott-Heron "Revolution that Will Not be Televised" or heard on the radio. Like most folks, they are just tryin' to eat and they ain't gonna go back to eatin' Oodles of Noodles for dinner for none of ya'll.
But then you have that pesky 5% at the bottom of the oppressed 99% ladder who really want to see complete constructive change and are willing to do any and everything to get it. Even if it means camping out in front of the Hot 99.9 station and starting a bonfire with Rick Ross cd's and Lil Wayne posters. These are the ones who will put Hip Hop back in the hands of the people .
I know that I speak for the rest of the 99% when I say, "Enough of the Maybach music. It's time for some "payback" music!
TRUTH Minista Paul Scott can be reached at (919) 451-8283
TRUTH Minista Paul Scott
"Y'all been eatin' long enough now, stop bein' greedy
Just keep it real partna, give to the needy"
Stop Being Greedy-DMX
One morning last month, tired of the state of corporate-owned Hip Hop, a small group of people gathered in front of Intergalactic Records with picket signs saying "Hip Hop Sucks!" That night, a DJ rolled up with some old school Kool Herc-type speakers and started blastin' classic, underground Hip Hop, shaking the walls of the building. The movement has since spread like wildfire across the country as thousands of disgruntled former Hip Hop fans have begun gathering at radio stations across the country yelling "Give Hip Hop back to the 99%!"
Think this can't happen? Think again.
With the Occupy Wall Street Movement in full swing, it is only a matter of time before somebody asks the question that will spark the rap revolution.
"Hey, don't those 1 per centers also control the entertainment industry ?"
I think that I can safely say that 99% of the people reading this are fed up with the current state of Hip Hop and are ready to take it back from the 1% that are controlling the direction of the culture. There are only a hand full of major record labels (Sony, EMI , Warner and Universal) most of the radio stations are either owned by Clear Chanel or Radio-One and the major music video programs are all controlled by one company; Viacom. This explains why the same five Hip Hop artists are being played over and over again.
Without a doubt, Hip Hop is one of the most lucrative commodities on the planet and generates billions of dollars, annually, not only for entertainment companies but also for the other Big Willie corporations that the Occupy Wall Street warriors are fighting against. Also, it can be argued that, unlike many of the resident Wall Street tycoons, the entertainment industry moguls are most dependent on "the streets" for their economic survival, making them the most vulnerable to successful protests.
In his book, "Black Labor, White Wealth," Dr. Claud Anderson wrote that " black music is the basis for one of the world's wealthiest industries." He also argues that "the historic exploitation of black music and other art forms provides a strong philosophical reason to target these industries as visible examples of a new black economic agenda."
So, the question becomes not whether an "Occupy Hip Hop" movement will happen but why it hasn't happened yet.
To jack that famous line from Public Enemy, " the reasons are several, most of them federal."
It has been reported that Hip Hop was one of the major motivating factors in the "Arab Spring" uprisings, as it captured the frustrations of the youth overseas. While the average person in the US may not fully grasp the international power of Hip Hop, the government has long recognized the tremendous influence that entertainers have globally: a power that they are not willing to let fall into the " wrong hands."
According to Dr. Penny Von Eschen in her book, "Race Against Empire," during the 1950's the US State Department set up "Cultural Affairs, Psychological Warfare and Propaganda" programs to control Uncle Sam's international image. According to Von Eschen, the State Department recruited entertainers from jazz musicians to the Harlem Globetrotters to travel the globe proving to the world that living in America wasn't that bad.
This is why, even today, despite poverty and record high unemployment, the Feds still need the image of millionaire Hip Hop artists destroying $300,000 cars in videos and throwing up hundred dollar bills in the clubs beamed to every country on Earth. Despite what the Occupy Wall Street "whiners" are crying about on CNN, the Feds need to project the international image that all is still good in the 'hood.
Another reason why Hip Hop has not been occupied is that the people who you would think would be on the front line fightin' the power are actually part of the power structure. Despite the revolutionary rhetoric of even some of the most socially conscious Hip Hop writers and artists, they are still trapped in the corporate matrix and aren't really gonna spark the Gil Scott-Heron "Revolution that Will Not be Televised" or heard on the radio. Like most folks, they are just tryin' to eat and they ain't gonna go back to eatin' Oodles of Noodles for dinner for none of ya'll.
But then you have that pesky 5% at the bottom of the oppressed 99% ladder who really want to see complete constructive change and are willing to do any and everything to get it. Even if it means camping out in front of the Hot 99.9 station and starting a bonfire with Rick Ross cd's and Lil Wayne posters. These are the ones who will put Hip Hop back in the hands of the people .
I know that I speak for the rest of the 99% when I say, "Enough of the Maybach music. It's time for some "payback" music!
TRUTH Minista Paul Scott can be reached at (919) 451-8283
Tuesday, October 11, 2011
Why Are We Still Marchin' ?
Controlled Chaos:
Why We Are We Still Marchin' ?
Paul Scott
I have marched until my feet have bled and I have rioted until they called the Feds.
What's left my conscious said?
"Revolution" Arrested Development
When folks gather in DC for the Jobs and Justice March and the Martin Luther King Memorial dedication this weekend, I betcha a million bucks that somebody is gonna pose the same question that people have been asking for the last 40 years. "What would Martin Luther King Jr say if he was here, today ?" If MLK was at the march, he would probably mean mug the crowd and yell "after all these years, why are y'all still marchin' ?"
While people have accused the Hip Hop generation of being politically, apathetic (many times for good reason) the hardcore truth is that many young folks are just tired of traveling down the same road that has led us to nowhere-ville. They just need for someone to tell them the best way to bring about change.
Unfortunately, most old school cats are still trying to put the pieces of the puzzle together, themselves. They can't answer the basic question, "after all these years of marching and protesting, why are the conditions of poor people, relatively, the same as they were back in 1963?"
The reason is simple. It's called controlled chaos: when things appear to be out of order but they are really being controlled by a master shot caller. There are forces at work making sure that we stay lost in the wilderness and never make it to the Promised Land.
The government's repression of political dissent goes back decades. One can trace it as far back as the early 20th century with the Bureau of Investigation's attack on Marcus Garvey or the House UnAmerican Affairs Committee's attacks on Paul Robeson and others.
While it is known that the FBI's COINTELPRO (Counter Intelligence Program) played a major role in destroying political movements during the late 60's and early 70's, what must be examined in the 21st century is "how" they did it.
According to Ward Churchill and Jim Wall in their book, "Agents of Repression," the FBI used several techniques to disrupt movements, including infiltrating organizations with agents, falsely tagging activists as "snitches" and assassinations. Another strategy was setting up phony, militant organizations or "pseudo gangs" "designed to confuse, divide and undermine, as well as do outright battles with authentic dissident groups." This may even account for the street gangs of today who will kill on sight members of rival gangs but would never consider bangin' on the system.
Also, although politicians praise the strategy of nonviolence, history teaches us that it is only after riots, when people start tearin' stuff up, that the government suddenly is able to "find" money for all sorts of social programs that they couldn't find before the rebellions. This is a technique that President Richard Nixon used as he transformed Black Power into Green Power.
One of the least talked about strategies to stop radical movements did not come from the Feds but from philanthropic foundations. According to Robert W Allen in his book "Black Awakening in Capitalist America," these foundations used their money to co-opt the Black Power movement. The main organization responsible was the Ford Foundation, headed by former US national security advisor, McGeorge Bundy, who's brother just happened to be William Bundy, former director of the CIA. Allen called the Ford Foundation "the most important, though, least publicized" organization manipulating the militant black movement."
Not only did the foundations influence the direction of street organizations but they also manipulated Black studies programs at colleges to make sure they produced "Clarence Thomas's" instead of "Malcolm X's." Noliwe Rooks discusses the efforts of the foundations to take the "black" out of Black studies in her book, "White Money, Black Power."
Later, during the Hip Hop era, we see the role that entertainment corporations played in diverting the rebellious energy of poor and oppressed ghetto kids.
During the golden age of conscious Hip Hop (1988-92) we witnessed a period that best represented how rap music could be used as a tool to organize the masses. This was a time when Hip Hop artists, not only made songs about fighting the power, but also participated in acts of civil disobedience such as when members of the X-Clan were involved in the "Day of Outrage" following the murder of Yusef Hawkins in 1989.
However, after '92, conscious Hip Hop was replaced by a materialistic music that made people want to be part of the system instead of fighting against it. They have made grown men walking around with their drawers showin' the ultimate act of rebellion.
Perhaps the most telling example of the political manipulation of Hip Hop was the 2004 election when, instead of using their influence and resources to politically educate their constituents in the 'hood, Hip Hop moguls created a politically ambivalent marketing strategy called "Vote or Die" that did little more than sell overpriced T-Shirts.
The most interesting political movement in recent history is Occupy Wall Street, as activists have successfully broken out of the box of the Republican/Democratic dynamic and have taken the fight straight to the seat of power. If this movement continues focusing on the source of the multiple problems facing the 'hood ( the multi-national corporations) this could be a major tipping point, effecting the economic balance of this country.
However, we have already seen filthy rich celebrities co-sign what is supposed to be a poor people's movement. And it is just a matter of time before some slick politician tries to turn radical, revolutionists into mild mannered voter registration political reformists good only for putting "Vote for Me" posters on people's front yards.
Absolute power corrupts absolutely.
Today we find ourselves at the crossroads; one way leads to Freedom and the other road leads to perpetual oppression.
We all have a choice to make.
Do we we leave the next generation a movement for real socio-economic change or just sore feet and worn out Air Jordans?
"TRUTH Minista" Paul Scott can be reached at (919) 451-8283 or info@nowarningshotsfired.com
Why We Are We Still Marchin' ?
Paul Scott
I have marched until my feet have bled and I have rioted until they called the Feds.
What's left my conscious said?
"Revolution" Arrested Development
When folks gather in DC for the Jobs and Justice March and the Martin Luther King Memorial dedication this weekend, I betcha a million bucks that somebody is gonna pose the same question that people have been asking for the last 40 years. "What would Martin Luther King Jr say if he was here, today ?" If MLK was at the march, he would probably mean mug the crowd and yell "after all these years, why are y'all still marchin' ?"
While people have accused the Hip Hop generation of being politically, apathetic (many times for good reason) the hardcore truth is that many young folks are just tired of traveling down the same road that has led us to nowhere-ville. They just need for someone to tell them the best way to bring about change.
Unfortunately, most old school cats are still trying to put the pieces of the puzzle together, themselves. They can't answer the basic question, "after all these years of marching and protesting, why are the conditions of poor people, relatively, the same as they were back in 1963?"
The reason is simple. It's called controlled chaos: when things appear to be out of order but they are really being controlled by a master shot caller. There are forces at work making sure that we stay lost in the wilderness and never make it to the Promised Land.
The government's repression of political dissent goes back decades. One can trace it as far back as the early 20th century with the Bureau of Investigation's attack on Marcus Garvey or the House UnAmerican Affairs Committee's attacks on Paul Robeson and others.
While it is known that the FBI's COINTELPRO (Counter Intelligence Program) played a major role in destroying political movements during the late 60's and early 70's, what must be examined in the 21st century is "how" they did it.
According to Ward Churchill and Jim Wall in their book, "Agents of Repression," the FBI used several techniques to disrupt movements, including infiltrating organizations with agents, falsely tagging activists as "snitches" and assassinations. Another strategy was setting up phony, militant organizations or "pseudo gangs" "designed to confuse, divide and undermine, as well as do outright battles with authentic dissident groups." This may even account for the street gangs of today who will kill on sight members of rival gangs but would never consider bangin' on the system.
Also, although politicians praise the strategy of nonviolence, history teaches us that it is only after riots, when people start tearin' stuff up, that the government suddenly is able to "find" money for all sorts of social programs that they couldn't find before the rebellions. This is a technique that President Richard Nixon used as he transformed Black Power into Green Power.
One of the least talked about strategies to stop radical movements did not come from the Feds but from philanthropic foundations. According to Robert W Allen in his book "Black Awakening in Capitalist America," these foundations used their money to co-opt the Black Power movement. The main organization responsible was the Ford Foundation, headed by former US national security advisor, McGeorge Bundy, who's brother just happened to be William Bundy, former director of the CIA. Allen called the Ford Foundation "the most important, though, least publicized" organization manipulating the militant black movement."
Not only did the foundations influence the direction of street organizations but they also manipulated Black studies programs at colleges to make sure they produced "Clarence Thomas's" instead of "Malcolm X's." Noliwe Rooks discusses the efforts of the foundations to take the "black" out of Black studies in her book, "White Money, Black Power."
Later, during the Hip Hop era, we see the role that entertainment corporations played in diverting the rebellious energy of poor and oppressed ghetto kids.
During the golden age of conscious Hip Hop (1988-92) we witnessed a period that best represented how rap music could be used as a tool to organize the masses. This was a time when Hip Hop artists, not only made songs about fighting the power, but also participated in acts of civil disobedience such as when members of the X-Clan were involved in the "Day of Outrage" following the murder of Yusef Hawkins in 1989.
However, after '92, conscious Hip Hop was replaced by a materialistic music that made people want to be part of the system instead of fighting against it. They have made grown men walking around with their drawers showin' the ultimate act of rebellion.
Perhaps the most telling example of the political manipulation of Hip Hop was the 2004 election when, instead of using their influence and resources to politically educate their constituents in the 'hood, Hip Hop moguls created a politically ambivalent marketing strategy called "Vote or Die" that did little more than sell overpriced T-Shirts.
The most interesting political movement in recent history is Occupy Wall Street, as activists have successfully broken out of the box of the Republican/Democratic dynamic and have taken the fight straight to the seat of power. If this movement continues focusing on the source of the multiple problems facing the 'hood ( the multi-national corporations) this could be a major tipping point, effecting the economic balance of this country.
However, we have already seen filthy rich celebrities co-sign what is supposed to be a poor people's movement. And it is just a matter of time before some slick politician tries to turn radical, revolutionists into mild mannered voter registration political reformists good only for putting "Vote for Me" posters on people's front yards.
Absolute power corrupts absolutely.
Today we find ourselves at the crossroads; one way leads to Freedom and the other road leads to perpetual oppression.
We all have a choice to make.
Do we we leave the next generation a movement for real socio-economic change or just sore feet and worn out Air Jordans?
"TRUTH Minista" Paul Scott can be reached at (919) 451-8283 or info@nowarningshotsfired.com
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